samedi 10 septembre 2016
The Must-See Movie That Had Everyone Sobbing at the Toronto Film Festival
It doesn't take a lot for a movie make people cry, but when a PG-13 fantasy film about a boy and a tree monster turns a theater of film critics into sniffling, weeping, messes - well, that's saying something. A Monster Calls premiered at the Toronto Film Festival, treating audiences to an early peek at one of the most beautifully heartbreaking films of the year.
The film was written by Patrick Ness, who also penned the novel of the same name, and directed by J.A. Bayona, who is best known for The Impossible. Newcomer Lewis MacDougall leads the film as Conor, a 12-year-old boy who is dealing with more than his fair share of issues both at home, where his mother (Felicity Jones) is dying of cancer, and at school, where he is being constantly bullied for being different. One night Conor is visited by a monster (voiced by Liam Neeson) who informs Conor that he has three stories to share before Conor will have to reveal his own truth to the monster.
The film has shades of many other beloved films; Conor's unlikely friendship with the monster is reminiscent of The Iron Giant; the way we see the monster's stories reminded me of the storytelling devices used in A Little Princess; the monster himself looks a lot like Groot from Guardians of the Galaxy; and the list could go on. But A Monster Calls is far from being a retread of films that have come before it. It has an edge and a realness that prevents it from going into an overly sappy territory while also perfectly blending in the perfect amount of whimsy and imagination.
The monster's tales slowly unfold as Conor's mother's illness progresses, and the themes are equally present in both parts of the story. Conor learns that most people can't be categorized as heroes or villains, but have shades of both (like Conor's estranged father, who shows up to take Conor to an amusement park but can't be the dad Conor truly wants). He learns not to underestimate the healing powers of belief and hope. But the theme that had everyone wiping tears from their eyes is the universal message that life isn't always fair, that grieving is a part of life that nobody can escape from, and that, as Conor's dad tells, him, most people end up "messily ever after."
The movie will be released in theaters in December, and while it's not exactly uplifting holiday fare, it's the perfect movie to share with your family, (and an important one for older kids to see) - as long as you're not afraid to weep in front of them.
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